Drawing Workshops with Annie Freud
Join us on Friday 8 and Saturday 9 May, from 10.30am–1.30pm, for a special drawing workshop led by the wonderful Annie Freud, artist, teacher and poet.
As the daughter of Lucian Freud and the granddaughter of renowned sculptor Sir Jacob Epstein, Annie brings a truly remarkable artistic heritage to Poole Museum.
Like something almost being said - Philip Larkin
Like Something Almost Being Said offers participants a chance to work on a drawing of a tree, following in the footsteps of two great British artists, John Constable and Lucian Freud.
Inspired by Lucian Freud’s etching After Constable’s Study of an Elm, poet and painter Annie Freud leads a workshop that begins with the magic of trees, exploring their lore, their presence, and the quiet company they offer. From there, she’ll guide you to look closely, linger a little, and create your own tree-inspired drawings.
The session begins with the story of how her father, Lucian Freud, first attempted a copy of Constable’s study early in his career, only to revisit it decades later in the early 2000s. With that tale as inspiration, you’ll step into the tranquil walled herb and physic garden at Scaplen Court, next door to Poole Museum, to sketch trees of your own, grappling with the same artistic puzzles that challenged both Freud and Constable.
Afterwards, participants will return to the museum for a relaxed discussion and display, sharing interpretations, discoveries and personal approaches.
Session overview
The workshop begins with an illustrated talk from Annie Freud, that explores the importance of trees in both our physical and cultural landscapes, and the special roles they play in the work and the worlds of these two painters.
This is followed by a relaxed 90‑minute drawing session in Scaplen's garden, choosing a tree that speaks to each participant. Materials can include pencil, charcoal, pastel, conté crayon, or pen and ink.
Easels and materials will be provided, though participants are very welcome to bring their own favourites along.
At 1pm, the group returns indoors to display their creations for an informal, friendly discussion. Tea, coffee and light refreshments will be waiting, perfect companions for sharing ideas and admiring each other’s work.
Image credit: Lucian Freud, After Constable’s Elm, 2003, etching. Printed by Marc Balakjian
© The Lucian Freud Archive. All Rights Reserved 2025 Bridgeman Images.
Ticket options
Join us on Friday 8 and Saturday 9 May, from 10.30am–1.30pm, for a special drawing workshop led by the wonderful Annie Freud, artist, teacher and poet.
As the daughter of Lucian Freud and the granddaughter of renowned sculptor Sir Jacob Epstein, Annie brings a truly remarkable artistic heritage to Poole Museum.
Like something almost being said - Philip Larkin
Like Something Almost Being Said offers participants a chance to work on a drawing of a tree, following in the footsteps of two great British artists, John Constable and Lucian Freud.
Inspired by Lucian Freud’s etching After Constable’s Study of an Elm, poet and painter Annie Freud leads a workshop that begins with the magic of trees, exploring their lore, their presence, and the quiet company they offer. From there, she’ll guide you to look closely, linger a little, and create your own tree-inspired drawings.
The session begins with the story of how her father, Lucian Freud, first attempted a copy of Constable’s study early in his career, only to revisit it decades later in the early 2000s. With that tale as inspiration, you’ll step into the tranquil walled herb and physic garden at Scaplen Court, next door to Poole Museum, to sketch trees of your own, grappling with the same artistic puzzles that challenged both Freud and Constable.
Afterwards, participants will return to the museum for a relaxed discussion and display, sharing interpretations, discoveries and personal approaches.
Session overview
The workshop begins with an illustrated talk from Annie Freud, that explores the importance of trees in both our physical and cultural landscapes, and the special roles they play in the work and the worlds of these two painters.
This is followed by a relaxed 90‑minute drawing session in Scaplen's garden, choosing a tree that speaks to each participant. Materials can include pencil, charcoal, pastel, conté crayon, or pen and ink.
Easels and materials will be provided, though participants are very welcome to bring their own favourites along.
At 1pm, the group returns indoors to display their creations for an informal, friendly discussion. Tea, coffee and light refreshments will be waiting, perfect companions for sharing ideas and admiring each other’s work.
Image credit: Lucian Freud, After Constable’s Elm, 2003, etching. Printed by Marc Balakjian
© The Lucian Freud Archive. All Rights Reserved 2025 Bridgeman Images.
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